German Miniature Wooden Toy Village

One of my favorite presents this Christmas came from an antique shop in northern Michigan, where it was found stashed in an old stationery box.

This wooden playset represents some 400 years of toymaking history. Little villages like this one have been made in Germany for centuries, turned out originally in cottage industries that flourished during the long cold winters in the Erzgebirge and Groden Valley regions.

Wonderfully naive and delightfully out of scale with itself, this particular village was probably made in the 1920s, with a few older and slightly newer pieces mixed in. The smallest item is a chicken, just 3/4 inches tall, while the biggest is a windmill at 3 inches.

This village has houses, churches, town halls, a windmill, fences, trees, animals, people, and a horse drawn wagon. Many of the pieces have traces of candle wax atop them, suggesting the village was displayed for many years in the Putz tradition under a tree lit with real candles, or perhaps on a Christmas candle pyramid or carousel.

Let's tour the town, starting with the front gate:

Beyond the town, farm animals rest in the pasture, while a family of deer graze in the forest:

For futher reading, an interesting history of wooden toymaking in this region of Germany can be found in the chapter "Adventures in Toy Valley" in the book Toys Through the Ages, by Dan Foley.

Antique Schoenhut Alphies Blocks

One of my most longed-for antique toys arrived under the Christmas tree this year: a beautiful set of lithographed wooden Alphies blocks made by the Schoenhut Company.

 

Schoenhut was an American toy company based in Philadelphia which began production in 1872. They are famed for their toy pianos, Humpty Dumpty Circus playset and figures, and many other fine toys.

The Alphies, first patented in 1916, are five inch tall wooden blocks with lithographed paper characters on both sides. One side depicts "Alphie Dollies," the other an "Alphie Zoo." Each character bears a letter of the alphabet on its front.

The Alphies were intended as multi-purpose playthings, as depicted in the possibilities shown on the box cover. They could be used to practice the alphabet and spelling; for stacking and building; and could even be set up as a bowling game, using the included wooden balls.

The lithography on the character blocks is gorgeous; here are some of my favorite pieces.

A tiger sipping soda.
 

"O" ogles "P."




A frantic looking frog.



"D" is for dolly.
 

An alligator in an apron.

 

Remco's Elly and Andy Baby Mouse Tree House

Jerry Griswold, Director of the National Center for the Study of Children's Literature, once wrote a wonderful book length essay about some of the pervasive qualities of childhood that recur as themes in children's stories. One of these qualities he deemed "snugness," the desire of children for a small, snug, safe place of their own, like a treehouse, a fort carved out of the shrubbery, or a hideout made under a folding table draped with a sheet. 

He noted the prevalence of places like these in children's literature, particularly the cozy homes of Mole and Badger in The Wind in the Willows, and the dollhouse in Beatrix Potter's classic The Tale of Two Bad Mice. Of such small playhouses he said, "What lies behind this miniaturization and the vision of enclosed space is a wish to make life more manageable, a wish for control."

I think his thesis on the importance of small, snug playspaces can be extended to children's toys too, as there are countless examples which reflect this longing for a space of one's own, and enable children to have control over a tiny world and its inhabitants. One of my favorite examples is the Elly and Andy Baby Mouse Tree House, made by Remco in 1967 as part of their T.V. Jones line.

The 15 inch tall tree trunk house is made of lithographed tin with plastic details including a branch swing, front steps, windows, a balcony, and even a working elevator. Inside, the little house is divided into two rooms, a bedroom and dining area. Cheerful colors make the interior cozy and appealing.

 

The tree trunk is home to 3 inch tall rodent siblings, Elly and Andy Mouse:

 

The furnishings include a hutch and dresser with a pull out drawer, an adorable mushroom table with tree stump chairs, and even a piece of cheese. The chairs have little notches cut out in the back to accomodate the mouse tails, a thoughtful touch.



Upstairs are two cozy loft beds, leading the way to an inviting balcony.
 

 

If recent sale prices for this toy are any indication (I've seen a MIB example sell for $350) the now grown-up children who played with this 40+ years ago are still longing for the sense of snugness, safety, and control over life which it provided. There's no stress in the tree house, just cheese snacks, swing sets, and cozy naps. It's a good life for these little mice. 

Mr. Potato Head on the Moon

The year was 1968. The United States was in the midst of its space race, as engineers and scientists worked feverishly to send the first man to the moon. At the same time, toy designers at Hasbro worked just as feverishly to come up with new ideas for their hit toy line, Mr. Potato Head. The result was Mr. Potato Head on the Moon, a clever set in a gorgeously illustrated box that allowed children "to change fruits and vegetables into spaceships, astronauts, or moon people!"

Inside the box was a huge assortment of pieces unique to this set, including a space helmet; alien feet, antennae, fanged mouths, giant eyes, and various other appendages; and spaceship parts. This set was meant to be used with real fruits and vegetables, and did not include a plastic potato. The instructions suggested using a cucumber for the spaceship, an onion (!) for the alien, and a potato for the astronaut.

Mr. Potato Head on the Moon is now one of the rarest and most valuable of the vintage sets, and was long considered a Holy Grail of sorts for Potato collectors. In a quirky bit of cosmic coincidence, I finally found mine just a few days ago, around the time of the recent Blue Moon!

"That's one small step for potatoes, one giant leap for potato collectors."

Crandall's Acrobats, 1867

My birthday last month was one of my happiest ever: I receieved an antique toy that had long been on my "It's Hopeless" wish list, as I had only ever seen it in museums or an occasional high-end auction. But then, just a couple of weeks before the big event, we found one from an online toy dealer, and at a reasonable price.

The toy is now one of the oldest in my collection, and, I think, one of the most beautiful. Patented in 1867 and made throughout the 1870s, Crandall's Acrobats were created by Charles M. Crandall, born in 1833. His business was first located in Covington, Pennsylvania, and later moved to Waverly, New York. He became one of the preeminent American toymakers of the 19th century, specializing in wooden toys, and is now famed for his building blocks, jointed figures, and puzzles.

The Acrobats came in a wooden box with a paper label, which reads:

[Crandall's Building Blocks]

Crandall's Great Show,

THE ACROBATS.

Full of Fun and Frolic, and Most Brilliant in Costume.

Will exhibit at the house of the purchaser Afternoon and Evening.

NO POSTPONEMENT ON ACCOUNT OF WEATHER.

MATINEE EVERY MORNING.

Admission Free, Children Half-Price.

[Patented Feb. 5th, 1867]

 

Inside the box are pieces to make five acrobat figures, comprised of separate torsos, heads, legs and arms. The legs and arms feature hand painted details, while the torsos and heads have beautifully lithographed paper designs, all different, printed on each side of the figure, which doubles the number of combinations possible.

 

 

 

Here are close-ups of some of the heads:

Yes, clowns are scary...this one especially so.

 

The Acrobats feature one of Crandall's most innovative designs: the pieces have slotted sides that  allow them to be connected in a dove-tail fashion. This enabled children to assemble the figures in a variety of combinations.

 

When assembled, the acrobats stand about eight inches tall:

The set also came with several slotted bases, into which the acrobats could be inserted. Then children could use the enclosed booklet or their own creativity to build acrobatic pyramids.

 

My set still retained remnants of its original booklet, now in an incredibly fragile state.



I'm off to hold my first matinee, "admission free and children half-price."

Mr. Potato Head Picnic Pals

We're just about to head out for our Fourth of July picnic, so it's the perfect time to post one of my favorite vintage Mr. Potato Head sets: his friends the Picnic Pals, created in 1966.

The Picnic Pals were some of the most unusual items ever released in the Potato Head line. There were 6 characters, all featuring plastic heads with separate bodies: Frenchy Fry, Mr. Ketchup Head,  Frankie Frank, Mr. Mustard Head, Willy Burger, and, to wash it all down, Mr. Soda Pop Head.

From left to right: Frenchy Fry, Mrs. Ketchup Head, Mr. Mustard Head,
Frankie Frank, Mr. Soda Pop Head, and Willy Burger.

The Picnic Pals came with specialized accessory pieces made just for them: onion slice ears, pickle noses, and eyes the color of ketchup or mustard.

The Pals were sold in two ways: the first was the rare complete set box, shown below, which contained all the characters plus their original Potato friend.

A rather sinister looking Willy Burger and his henchman, Frankie Frank,
appear to threaten a trembling Frenchy Fry in this box art.
Not sure what that's all about.

The second variation was a tall, slim box with colorful art work, which included one main character, a condiment or beverage buddy, and a Mr. Potato Head.

For some unknown reason, Willy Burger is the hardest to find of the Picnic Pals, although they are all much more scarce than the regular Potato Heads.

We're off to our picnic to eat some of these.
Hopefully ours won't be staring at us.

1970s British Mr. Potato Head

Part of a collection of vintage German and British Potato Heads I recently purchased, this boxed version was made in England by Peter Pan Toys in 1974. Licensed by Hasbro, it is nonetheless strikingly different from the American original. The plastic potato is a different shade of brown, and most of the accessory pieces are also differently colored and shaped. There was also a licensed character unique to England at this time: Mr. Egg Bodd, a hard-boiled egg man with an egg cup outfit he could wear. Sadly, I've yet to find one, but I remain hopeful.

Even though Mr. Potato Head came with a plastic potato by this time, this box depicts his friends made from real fruit and veggies. The art design of this box is quite crude compared to the richly illustrated German examples posted yesterday, but it has its own naive appeal.

Here's the British Mr. Potato Head inside his box,

surrounded by his simply drawn but charming friends.