Chiquita Banana Ride-On Toy

It's been a busy summer here, with not much time left for posting my latest finds. In fact, today is really the last day of summer for most people, as schools reopen tomorrow. But today is all about lounging outside and enjoying the sunshine, as Americans flock to beaches and parks for the Labor Day holiday.

And what better way to do that than by banana car? This fabulous 2 foot long ride-on banana was made in the late 1960s - early 70s and sold in grocery stores as a promotional item, along with its partner, the Heinz Pickle car, featured in the previous post.

For another unusual vintage ride-on toy, check out the Mr. Potato Head car.

Heinz Pickle Ride-On Toy

The winter weather has finally begun to lift here in the north, and that means it's time to get back outside. Let's head out with one of my favorite vintage ride-on toys: the Heinz pickle car. 

Made in the late 1960s-early 1970s, the pickle ride-on was apparently a promotional item featured in grocery store displays. Measuring 2 feet long, the sturdy plastic pickle had a companion piece, a ride-on Heinz ketchup bottle, which is even more elusive than this scarcely seen toy.

For another odd vintage toy vehicle, take a look at my Mr. Potato Head ride-on.

Vintage Chenille Santas

These little chenille Santas were made by the millions in Japan and sold in American dime stores from the 1930s to '50s. Averaging 2.5 inches tall, their little faces are usually made of molded clay, and they each have their own unique character.

Closely related to the chenille Santa is the cotton batting Santa. These are harder to find than the chenilles, probably because of their greater fragility.

When new, these little Santas decorated Christmas trees and gift packages. Now they are highly sought by collectors and their prices have risen accordingly, typically $10-13 each, but occasionally as high as $28 for an early or unusual example. The lucky hunter can sometimes still find them for a few cents at garage sales, so it pays to dig through boxes of vintage Christmas decorations whenever you can.

I keep my stash in this old glass candy container, where they are safely lodged in the chimney.

Hugo, Man of a Thousand Faces

Presenting one of the creepiest and most unsettling toys ever made: Hugo, Man of a Thousand Faces, released by Kenner in 1975.

Hugo was a 12 inch vinyl puppet/mannequin head who came wearing an artist's smock and with a set of facial disguise accessories. A tube of special glue allowed kids to attach the disguise pieces in a seemingly endless array of combinations, creating a huge variety of characters. A thousand, allegedly.

Children were encouraged to use the disguise pieces on themselves as well as on Hugo, and Kenner suggested Hugo could even serve as a special "friend."

These are not the sort of puppet friends you'd find in Mr. Rogers' Neighborhood. 

I'm sure Kenner's intentions were good. After all, Mattel's Barbie styling heads had been best-sellers for several years by this point, and little girls across the country were thrilled with the opportunity offered by these playsets to do hair and makeup.

It must have seemed reasonable to Kenner toy company executives to make a similar product for boys, a mannequin head with accessories boys could use to change the character's appearance. And a spy character with disguises made perfect sense, as it also tied into the popularity of espionage related toys and TV shows of the time. The result, however, was incredibly off-putting, and the finished product now holds a place in toy history as one of the most creepy and disturbing playthings of all time. Take a look:

There's just something unsettling about Hugo: his dead stare; the way he appears to be sizing the viewer up, waiting for just the right moment to begin creeping across the floor towards you; his stare; and again, his stare. Oh, the stare is so unnerving. Just look at it! I can't bear to. As I type this, I have to make sure I can't see that part of the above picture. Let's move on. 

Adding the accessories (which include hairpieces, false chins and teeth, fake noses, glasses, scars, warts, an eyepatch, a bandage, and more) doesn't really help. In most cases, it only makes him even creepier.

"I can still see you," says Hugo.

Suggestions from the box. Shudder.

The least unnerving version of Hugo I've come up with is this one, which I call Disco Hugo. His crazy 70's sideburns make him somewhat more comical and easier to bear, as long as he's not looking at you directly.

1960s Addams Family Puppets

It's nearly Halloween, and so time for a visit with the Addams Family.

These hand puppets were made in 1964 by the Ideal Toy Corporation, and feature molded vinyl heads in the likenesses of the television actors, attached to printed cloth puppet sleeves.

These three characters, Gomez, Morticia, and Uncle Fester, were apparently the only ones produced for this line. Similar puppets were made of characters from the Munsters (but everyone knows the Munsters weren't as cool as the Addamses.)

Everyone's favorite Uncle. 

1960s Monster Colorforms

Classic movie monsters were all the rage in the 1960s, thanks in large part to the showing of Universal's 1930s-40s horror films on television.

At the height of the monster craze, the Colorforms line of playsets, which feature removable vinyl pieces and cardboard backdrop scenes, came out with this fabulous item, the "Glow in the Dark Create a Monster Cartoon Kit."

Inside the colorful box are a playboard, two sheets of vinyl character pieces, and an instruction booklet.

The playboard is a cartoony scene of a mad scientist's laboratory, complete with electrical equipment, beakers and vials, and a slab for the Monster:

The instruction booklet offers suggestions on setting the scene, and advice for parents on the wholesomeness of the activity set. Colorforms can teach children such skills as finger dexterity, sense of spatial relationships, and size matching, according to the booklet. I expect children could have cared less about those things, and were largely interested in the glow in the dark features.

My set, purchased last year from the collection of a comic book artist, had never been opened, but that is no longer the case. How could anyone resist playing with this fabulous toy?!

Click here to see another vintage Colorforms monster-themed set, the Castle Dracula Fun House, and here for an Addams Family set.

Schuco's Miniature Teddy Bears

Just a quick pic of some colorful characters today: two 1920s Schuco miniature teddy bears along with a 1950s Steiff elephant. The bears are a wee 2.5 and 3.5 inches tall, and were dressed long ago by a creative owner. The clown hat came from the Steiff museum shop in Germany, and successfully hides a missing ear.

Schuco of Germany made tiny teddy bears in all sorts of creative forms throughout the 1920s and 30s. Some were novelty items, housing perfume flasks or compacts inside, while others were dyed in bright colors, all to appeal to the flappers of the period and small enough to carry in their beaded handbags. More of these clever little Schuco bears coming soon.

1950s Tin Toy Space Port by T. Cohn/Superior/Pyro

Found at a toy show recently in a booth full of vintage space stuff, this tin litho space port was made in the 1950s by T. Cohn (who also made tin litho dollhouses) and released by Pyro, who manufactured the spaceship housed inside.

Toy Show space toy finds.

The space port measures 10 inches long, and features wonderful imagery of helmeted spacemen, rocket ships, flying saucers, fantastic machinery, and futuristic cityscapes:

The spaceship can be launched via a lever at the back of the port. Unfortunately, launching tended to damage the fragile plastic craft, often snapping off its fins, which makes finding the port complete with an intact ship quite a stellar feat. This one is in remarkable shape, and the whole playset is just an out-of-this-world-gorgeous toy.

The Pyro X-300 Space Cruiser

Mr. Potato Head Ride-On Toy

One of my favorite Christmas presents this year was a long-sought, hard-to-find vintage Potato Head item. From 1973, the Mr. Potato Head Ride-On toy is one of the strangest, and scarcest, items in this long running line.

Measuring 17 inches long, the mobile potato features yellow wheels, a handle, and a seat that lifts up to reveal a storage space for extra face pieces. It comes with two different sets of eyes, ears, noses and lips, along with a hat and glasses, allowing its owner to customize it before taking it for a spin.

Vintage Jack O' Lanterns

Collecting vintage jack o' lanterns can be very addictive. Though they were mass produced, there were many different styles, and they all have individual character due to their own particular aging and wear.

These are American, and date circa the 1940s. Made of a pulp/composition material, they have paper face inserts, and were meant to be used with real candles inside. Some still have traces of melted wax in their interiors, and it's incredible that they all didn't just go up in flames.

These range in size from about 3.5 inches to 10 inches tall.

These two small lanterns were made from the same mold, but have distinctively different appearances due to the paper inserts used and the wear to their exteriors.

This large jack o' lantern is one of my favorites. It's open nose is unusual, and it has a very expressive face.

Eyelash adorned, this jack o' lantern's paper insert is from an antique German variety, but it suits this American pumpkin well. It's common to find these jack o' lanterns missing their paper faces, or with replacements, as the originals did sometimes succumb to the candle flames.

Remco Mini Monster Play Case

Ah, the classic Universal Studios monsters: Dracula, the Mummy, the Wolfman, Frankenstein's Monster, the Creature from the Black Lagoon, and the Phantom of the Opera. These movie monsters of the 1920s - 1950s saw a resurgence in popularity in the 1960s, when their films became late night television movie fodder, and again in the 1980s when Universal Studios featured them in their theme park merchandising and stepped up their product licensing. 

One of the best toy lines to result from these efforts came from Remco, which released their Mini Monsters in 1981. The 3 3/4 inch figures were the same scale as the era's popular Star Wars characters, making cross-over playtime dreams come true: Princess Leia captured by the Creature from the Black Lagoon! Darth Vader and Dracula in a battle royale: who would win? The Wolfman and Chewbacca becoming best friends. The Phantom playing with the Cantina band on Tatooine. The possibilities were endless. 

To house the figures, Remco created a play case, made of vinyl covered cardboard like so many playsets from this time period. With an interior of vacuum formed, brittle plastic and cardstock paper, it's fragile by today's standards, but nonetheless it's a gorgeously designed toy with tons of imaginative potential. Let's take a tour. 

The case is about 10 inches tall, and comes with a carrying handle. The front has a photo of the interior and describes the play features, while the back is illustrated to look like a haunted house. 

The action features described on the front are all made of heavy cardstock paper, and required some serious assembly work. Check out the instruction page: I don't think I would have the patience to follow this now, let alone when I was 12.

But once assembled, the monster playset was worth the effort. A little cardboard bridge helped monsters cross over a moat with a bottomless pit; a slab for Frankie came complete with rubberbands to hold him in place, and the table could be turned over to make him "disappear;" the mummy case opened; and the Creature from the Black Lagoon could be put into his cage covered holding tank whenever he needed a refreshing dip. 

All three of these items, the Creature tank, mummy case, and slab, had to be punched out, folded, and assembled, as did the bridge over the "bottomless pit," below.

The set featured great illustrations, as in the lab background above. But the much touted glow in the dark features simply consisted of three stickers to place over various items on the playset: the mask on the mummy case, the skull on the lab shelf, and the instrument panel for Frankie's table. 

The monsters themselves are very detailed, especially for such small figures. The Wolfman in particular is well done, capturing Lon Chaney, Jr.'s anxious expression well. 

He'll never be able to break free of those rubberbands, don't worry....

The set required careful closing and storage due to the fragility of the interior, and the detailed instructions included (unintentionally funny) directions on how to pack up the monsters: "Make sure that none of the monsters interfere with the closing of the playcase." Every time I read this, I picture the little monsters shouting, "Nooooo," shaking their tiny fists, and desperately struggling to prevent the case from closing, maybe by sticking an arm or leg in the way.