1905 Steiff Blank Button Bear

My birthday was last week, and I got bears! Several antique teddy bears were among the presents, and one of them was something I thought I would never find: a Steiff teddy bear from waaaay back in 1905, still with its rare blank button-in-ear.

12 inch white Steiff bear, 1905.

This is a special bear with a very important place in teddy bear history:

Steiff of Germany designed the first plush jointed bear in 1902, and it debuted to the public in 1903. That bear wasn't yet called a "teddy," just a "bear." It was modeled upon, and looked like, its real life counterpart: large and fierce. In 1905, Steiff redesigned the bear, making it smaller and lighter and giving it a friendlier face, more of a "bear doll" than a toy bear. This model is the one that first had the "teddy bear" look so familiar to us today, and it inspired toy makers all over the world to design their own variations.

For the first year of this model's release in 1905, it came with a blank button-in-ear as a Steiff trademark, which was changed to a button with the company's name on it in subsequent years.

My bear is 12 inches tall, of white mohair, and came wearing a pair of blue overalls that suit him nicely. He has a whimsical, crooked smile. The wear to his nose appears to be damage from kissing, so I don't mind too much.

In profile, the features of early Steiff bears are clearly visible: long arms with curved, spoon-shaped paws, big feet, and a hump.

This bear was so popular, orders skyrocketed, and the Steiff factory sold nearly a million bears in 1907!

1930s Playskool Pullman

Two years ago, I finally found one of my most longed for toys: the Playskool Pullman, made for a very brief period in the early 1930s. You can read the original post about it here. Recently I found another one, in much better condition, with many of the accessories and details that were missing from my first find.

The pressed steel Pullman playset measures 11 1/2 by 9 1/2 inches, and was designed to resemble both a Pullman train car and a little suitcase. The leather handle made it easy to carry on a real train trip.

Two clear windows allow the little passengers to look outside, while a third window is covered with a decal printed to give the look of frosted glass.

The Pullman opens from the back, revealing  a compartment tucked behind green curtains.

Behind the curtains, a cozy compartment is unveiled, complete with benches and a fold away table. I've fitted it out with a tablecloth and some refreshments for the miniature French doll and Steiff bear travelling inside.

Above the passengers' heads, the sleeping berth is tucked away, ready to be pulled down in the evening.

Here's the berth pulled down, complete with sheets, pillows, and blankets.

To the left of the compartment is a small closet holding a porcelain sink, perfect for freshening up after a long journey.

I also found some old dollhouse sized luggage, perfectly scaled for the Pullman playset. The largest is a cardboard candy container, made in Germany in the early 1900s. The tiny red hat box is also German, while the black tin trunk was made by the Marx company.




All aboard the Playskool Pullman!

Antique Dollhouse Candy Store

After years of collecting, I've learned that the best toys sometimes come in the plainest of boxes. The simple cardboard container below gives no hint of the beautiful antique toy within. It measures 5 inches tall by 9 1/2 inches wide.

When the lid is lifted back, the front panel drops, revealing Pets Candy Store, a miniature shop made in England circa the 1890s.

To set up the shop, a pink candy counter slides out of the base. Then the counter can be set with its accessories, including tin candy and biscuit containers; glass bottles of faux candies; a tin scale, scoop, and dish; and cardboard coins.

All the accessories are original to the store. The doll was added later but suits it perfectly, a close match to the little girl depicted on the shop's lithographed sign in the box lid.

Some of the containers originally held real candies and biscuits, fossilized remnants of which were still intact when I opened them. The tiny Peek Frean & Company biscuit tins are two inches tall.

The Pets Candy tins are a bit bigger at 3 1/2 inches tall, and feature colorfully lithographed labels.

A little glass bottle holds faux candies made of gilded wood.

Completing the set are tiny tin accessories including a scale, molded dish, and scoop, along with cardboard coins.

The shop is the perfect size for miniature teddy bears in search of sweets.

Antique Easter Egg Full of Toys

Found in a local antique shop just in time for Easter was this egg. An old but rather nondescript egg made of red stained pressed paper, it measures about 4 1/4 inches tall, and has a cord at the top so it can be hung as a decoration.

Here's the egg with an Easter postcard from the same time period (1900s) for a sense of size.

Upon closer inspection, a seam was revealed along the side, and when the egg was opened, toy treasures were discovered within, still sewn down to their original backing cards.

 

The little bisque doll is a mere 2 1/2 inches tall, and lies nestled in a bed of paper lace. On the other side of the egg, a set of four carved wooden Erzgebirge toy figures wait to be played with.

These toy filled eggs were made in Germany from the late 1800s up to about 1920. They were popular in France as Easter gifts, and were exported there in great quantities. Few remain today however, since the pressed paper was fragile, and children naturally would have removed the toys as soon as they opened the eggs.

When they are found today it is usually as unsold stock that never made it into children's hands, and such eggs typically have the toys still sewn in place, as with this example. These eggs usually had a jointed bisque doll on one side, and tiny toys, doll clothes, or doll accessories on the other. The toys inside varied in quality from the very fancy to the rather primitive, enabling parents with a wide range of budgets to purchase them for their children's Easter baskets.

Keep an eye out for eggs today! Happy Easter!



Archer Space Port

One of the greatest space toy lines of all time was created by the Archer Plastics Company of New York in 1952. Founded by a tool and die maker and mechanical engineer named Bob Genin, Archer Plastics designed fantastic space men, rocket cars, and space port playsets that have an Art Deco and Streamline Moderne sensibility about them. While we admire these toys today for their artistic quality, children back in the 1950s simply loved them for the imaginative possibilities they presented.

I've posted before about my Archer Space Men, including a complete set still in its original store counter display box. But the pinnacle of the Archer space toys, its tin litho Space Port from the Outer Space Set, eluded me...until recently. Presenting the finest tin litho space playset ever created, now residing happily on my dining room table after a brutal eBay battle:

The Space Port is made of lithographed tin, and measures 15 inches wide. It includes a control tower with an antenna and radar dish, and originally came boxed with a space car, a handful of space men, and a plastic rocket just like the one depicted on the front panel. The rocket cars and space ships now parked atop the port are not original to this set, but were made in the same time period and are perfectly at home.

There were many tin litho space port playsets produced by various companies in the 1950s, but the Archer set stands out because of its artwork. The Deco and Moderne inspired buildings look architecturally plausible, somehow familiar and yet futuristic. It is the space men populating the port, however, that are really remarkable. Fully realized characters, they have tremendous expression, and appear to be part of a story that the viewer is expected to piece together. All in all, the art creates a great springboard for the imaginations of the children who first saw it over 60 years ago. Let's take a closer look.

Here are some views of the tower, where space traffic controllers appear to be hard at work, directing takeoffs and landings to and from distant worlds.

Looking down at the Space Port from above, you can see into the rocket bay, where mechanics are busily preparing a ship for launch. (You're not really looking "into" anything: this is just a particularly effective illustration on the flat tin surface.)

This panel lifts up, revealing a rocket gantry that the plastic ship could be "launched" from. This is the only moving feature of the playset; the rest is powered purely by imagination.

Since my playset is missing its original Archer rocket (a common state of affairs, as the rockets were invariably taken away for outdoor play, lost off rooftops, etc.) I've added a fleet of space ships made in the 1950s by companies like Premier and Gilmark. These vehicles are fascinating for the way in which their design influences, the futuristic automobiles of the late 1940s and early 1950s, can sometimes be seen. Look closely and you'll see what appears to be the cab of a 1940s sedan melded to side rockets in the blue spaceships, for example.

 

On the Space Port's side panels, workers can be seen laboring at fantastic machinery which keeps the station running.

The man on the ladder at far left appears to have noticed us.
He is looking out from the illustration as if he sees the child at play,
an interesting technique for drawing the viewer into the imaginary world depicted on the panel.

The man on the right has a mischievous expression plainly evident on his face.
Is he a saboteur? Or merely clowning around, to the distress of his partner on the left,
who casts an annoyed glance in his direction?

On the back panel, three space men are having a conversation in front of a large viewing window. Two of the space men appear angry, while the third bows his head in resignation. Perhaps the report he has in his hand (interestingly, on a paper scroll) describes how his department is behind schedule or over budget.

"It's not my fault the project is over budget, sir: talk to Jones here!
He's got the report."

The characters in the Space Port's artwork are clearly modelled on the original Archer space figures. Here, you can see a figure next to his one-dimensional counterpart, wearing the same helmet and suit.

My Archer space figures are pleased to have their port back.