Vintage Chenille Santas

These little chenille Santas were made by the millions in Japan and sold in American dime stores from the 1930s to '50s. Averaging 2.5 inches tall, their little faces are usually made of molded clay, and they each have their own unique character.

Closely related to the chenille Santa is the cotton batting Santa. These are harder to find than the chenilles, probably because of their greater fragility.

When new, these little Santas decorated Christmas trees and gift packages. Now they are highly sought by collectors and their prices have risen accordingly, typically $10-13 each, but occasionally as high as $28 for an early or unusual example. The lucky hunter can sometimes still find them for a few cents at garage sales, so it pays to dig through boxes of vintage Christmas decorations whenever you can.

I keep my stash in this old glass candy container, where they are safely lodged in the chimney.

Christmas Candy Containers

Ninety years ago, children were delighted to find candy in their Christmas stockings, just as they are today. But while modern children might see plastic PEZ dispensers peeking out of their stocking tops, children of the 1920s would have found these beautiful glass candy containers nestled within. Once the candy inside was gone, children often saved the containers to use as toys, and so they have been preserved through the years for lucky collectors to discover.

This 4.5 inch container depicts a belsnickel-like Santa in a long coat and hood. It still has its original metal lid capping the bottom opening. When new, it would have been colorfully painted (remnants are visible on the face) but even bare, it's a beautiful thing, full of character. 

This container featuring Santa and a chimney is just under 4 inches tall. Originally the chimney would have been filled with colorful round, pellet-like candies, and capped with a thin metal lid.

They just don't make candy packaging like this anymore!

Antique Santa Claus Postcard

December is here at last, the toy collectors' favorite time of year. This month I'll be featuring a variety of Santa Claus themed items from my collection, including candy containers, decorations, and a rare board game from 1890.

First up is this fabulous postcard, circa 1906. The colorful card depicts a busy Santa listening on the wireless station at the North Pole. Looks like he's receiving lots of orders (I got mine in early.) Note the Northern Lights flickering overhead.

German Antique Die Cut Skeleton

Found in a local antique shop just in time for Halloween, this heavily embossed, die cut skeleton was made in Germany circa 1920, and measures 19 inches tall.

It had long been on my Halloween wish list; I'd only ever seen it in books before. Known as the "waving skeleton," it's much more unusual, and uncommon, than the typical jointed model with posable limbs.

Have a happy Halloween!

Hugo, Man of a Thousand Faces

Presenting one of the creepiest and most unsettling toys ever made: Hugo, Man of a Thousand Faces, released by Kenner in 1975.

Hugo was a 12 inch vinyl puppet/mannequin head who came wearing an artist's smock and with a set of facial disguise accessories. A tube of special glue allowed kids to attach the disguise pieces in a seemingly endless array of combinations, creating a huge variety of characters. A thousand, allegedly.

Children were encouraged to use the disguise pieces on themselves as well as on Hugo, and Kenner suggested Hugo could even serve as a special "friend."

These are not the sort of puppet friends you'd find in Mr. Rogers' Neighborhood. 

I'm sure Kenner's intentions were good. After all, Mattel's Barbie styling heads had been best-sellers for several years by this point, and little girls across the country were thrilled with the opportunity offered by these playsets to do hair and makeup.

It must have seemed reasonable to Kenner toy company executives to make a similar product for boys, a mannequin head with accessories boys could use to change the character's appearance. And a spy character with disguises made perfect sense, as it also tied into the popularity of espionage related toys and TV shows of the time. The result, however, was incredibly off-putting, and the finished product now holds a place in toy history as one of the most creepy and disturbing playthings of all time. Take a look:

There's just something unsettling about Hugo: his dead stare; the way he appears to be sizing the viewer up, waiting for just the right moment to begin creeping across the floor towards you; his stare; and again, his stare. Oh, the stare is so unnerving. Just look at it! I can't bear to. As I type this, I have to make sure I can't see that part of the above picture. Let's move on. 

Adding the accessories (which include hairpieces, false chins and teeth, fake noses, glasses, scars, warts, an eyepatch, a bandage, and more) doesn't really help. In most cases, it only makes him even creepier.

"I can still see you," says Hugo.

Suggestions from the box. Shudder.

The least unnerving version of Hugo I've come up with is this one, which I call Disco Hugo. His crazy 70's sideburns make him somewhat more comical and easier to bear, as long as he's not looking at you directly.